*μ•„ν‚€νƒ€μž… 7017(Archi Type 7017), 2016

μž‘μ—…λ…ΈνŠΈ

μ„œμšΈμ—­ κ³ κ°€λ„λ‘œλŠ” 70λ…„λŒ€ β€˜μž˜ μ‚΄μ•„λ³΄μžβ€™λŠ” μ‹œλŒ€ μ •μ‹ μ˜ λ°œν˜„μœΌλ‘œ, μ΄μ œλŠ” κ·Έ 운λͺ…을 λ‹€ ν•˜κ³  2017λ…„ β€˜μ„ μ§„λ³΅μ§€β€™λΌλŠ” μƒˆ μ‹œλŒ€μ˜ μš”κ΅¬μ— 맞좰 17개의 길이 μžˆλŠ” μ‹œλ―Όκ³΅μ›μœΌλ‘œ νƒˆλ°”κΏˆν•œλ‹€. 그둜 인해 μ§€μ—­μ˜ 이ꢌ이 μ–΄λ–»κ²Œ λ‹¬λΌμ§€λŠ”μ§€, κ·ΈλŸ°λ‹€κ³  κ³Όμ—° 선진 λ³΅μ§€λΌλŠ” 게 μ‹€ν˜„λ˜λŠ”μ§€, κΉκΉν•œ λΉ„νŒμ  νƒœλ„λ‘œ μ‹œμž‘ν•œ 건 μ•„λ‹ˆλ‹€. μž‘μ—…μ€ 단지 μ˜€λž«λ™μ•ˆ ν•œμžλ¦¬μ— 있던 무엇이 λ‹¨μˆ¨μ— λ‹€λ₯Έ 무엇이 λœλ‹€λŠ” 사싀에 κ΄€ν•œ ν˜ΈκΈ°μ‹¬μ—μ„œ 비둯됐닀.

κ°€λ¦°λ‹€λŠ” 것은 양면적이닀. 무언가λ₯Ό μˆ¨κΉ€μœΌλ‘œμ¨ κ·Έ 주변이 λ„λ“œλΌμ Έ 보이게 ν•œλ‹€. ν˜Ήμ€ 숨긴 것에 도리어 μ£Όλͺ©ν•˜κ²Œ λ§Œλ“ λ‹€. μ„œμšΈμ—­ κ³ κ°€λ„λ‘œμ˜ 일뢀가 철거되고 가림막이 μ„€μΉ˜λ˜μ—ˆλ‹€. μ£Όλ³€μœΌλ‘œλΆ€ν„° 곡사μž₯을 κ²©λ¦¬ν•˜κΈ° μœ„ν•΄ 가벽이 μ„Έμ›Œμ‘Œλ‹€. κ³ κ°€λ„λ‘œλŠ” ν…… λΉ„μ—ˆμ§€λ§Œ κ·Έ 탓에 μ£Όλ³€ λ„λ‘œκ°€ 빼곑히 μ°¨ ν˜Όμž‘ν•΄μ‘Œλ‹€. 가리고 μ΄μš©ν•˜μ§€ μ•ŠμŒμœΌλ‘œμ¨ 였히렀 μ„œμšΈμ—­ κ³ κ°€λ„λ‘œμ˜ μ‘΄μž¬λŠ” 돋보이고 μ€‘μš”ν•΄μ‘Œκ³ , 유기체처럼 μ‘°ν™”λ₯Ό 이뀘던 μ„œμšΈμ—­ 주변은 흑사 μˆ˜μˆ λŒ€ μœ„μ˜ ν™˜μžμ²˜λŸΌ λ‚―μ„€κ³  λΆˆμ•ˆν•΄ λ³΄μ˜€λ‹€.

일 λ…„ κ°€κΉŒμš΄ μ‹œκ°„μ΄ 흐λ₯Έ λ’€, κ³ κ°€λ„λ‘œλŠ” κ·Ό 40μ—¬ λ…„μ˜ μ—­ν• κ³Ό 기얡을 μ§€μ›Œλ‚Έ λ’€ μƒˆλ‘œμš΄ λͺ¨μŠ΅μœΌλ‘œ λ‚˜νƒ€λ‚  것이닀. μ‘΄μž¬ν•΄μ˜¨ μ‹œκ°„μ— λΉ„ν•˜λ©΄ κ½€ λŒμ—°ν•˜κ³  ν˜μ‹ μ μΈ 변신이닀. λ³€ν•œ λͺ¨μŠ΅ μ—­μ‹œ κ½€ λ‚―μ„€ 것이닀. κ·Έλ ‡λ‹€κ³  λ‚΄κ°€ μ•Œλ˜ λͺ¨λ“  것이 μ‚¬λΌμ‘Œμ„κΉŒ? 싀상은, 그곳을 κ·Όκ°„μœΌλ‘œ μ‚΄μ•„κ°„ μ‚¬λžŒλ“€μ˜ μˆ˜μ™€ 낑은 콘크리트 ꡬ쑰물이 κ²¬λ”˜ μ‹œκ°„λ§ŒνΌ 겹겹이 λ ˆμ΄μ–΄λ“œ(layered)되고 합쳐진(flatten) μƒνƒœμΌ 것이닀.

κ·ΈλŸ¬λ―€λ‘œ λ‚΄κ°€ ν•  수 있고 ν•΄μ•Ό ν•  일은, μ„œμšΈμ—­ κ³ κ°€λ„λ‘œκ°€ λ³€ν•˜λŠ” λ™μ•ˆ 진정 무엇이 λ°”λ€Œκ³  그것을 λ‚΄κ°€ μ–΄λ–»κ²Œ λŠλΌλŠ”μ§€, κ²°κ΅­ 또 μ–΄λ–€ λ³€ν™”λ₯Ό μ΄ˆλž˜ν•˜λŠ”μ§€, 빠짐없이 λ‚¨κΈ°λŠ” 일이닀.


회좘의 λͺ…λΆ„ (κ²½ν–₯μ‹ λ¬Έ 2016.11.4) 김지연, μ „μ‹œκΈ°νšμž

1981λ…„ μ„œμšΈμ—μ„œ νƒœμ–΄λ‚œ μ •μ •ν˜Έμ—κ²Œ μ„œμšΈμ—­ κ³ κ°€λ„λ‘œλŠ” νŠΉλ³„ν•œ 감ν₯을 주지 μ•Šμ•˜λ‹€. 1970λ…„ μ™„κ³΅λœ 이 κ³ κ°€λ„λ‘œλŠ” κ²©λ³€μ˜ μ„Έμ›”, ν•œμžλ¦¬μ— μ„œ μžˆμœΌλ©΄μ„œ ν•œκ΅­μ˜ ν˜„λŒ€μ‚¬λ₯Ό λͺ©κ²©ν–ˆκ³ , 덕뢄에 λ§Žμ€ μ‚¬λžŒλ“€μ˜ 기얡을 μ†Œν™˜ν•˜λŠ” μ„œμšΈμ˜ μƒμ§•λ¬Όλ‘œ μžλ¦¬μž‘μ•˜λ‹€μ§€λ§Œ, μ •μ •ν˜Έμ—κ²Œ 감정적 λ™μš”λ₯Ό λΆˆλŸ¬μΌμœΌν‚€λŠ” λŒ€μƒμ€ μ•„λ‹ˆμ—ˆλ‹€.

κ³ κ°€λ„λ‘œλ₯Ό μ—†μ• λŠ” λŒ€μ‹  κ³΅μ›ν™”ν•œλ‹€λŠ” μ†Œμ‹μ„ 듀은 후에야 관심이 생겼닀. μ‚¬λΌμ Έκ°€λŠ” 것을 λ‚¨κ²¨λ΄μ•Όκ² λ‹€λŠ” μ •μ²΄λΆˆλͺ…μ˜ μ±…μž„κ°μ΄ μž‘λ™ν–ˆλ‹€.

λŒ€μƒμ„ ν–₯ν•΄ νŠΉλ³„ν•œ 감정적 λ™μš”κ°€ μ—†μœΌλ‹ˆ 였히렀 객관성을 확보할 수 μžˆκ² λ‹€κ³  λ³΄μ•˜λ‹€. κ·Έλž˜μ„œ κ·ΈλŠ” κ±°λŒ€ν•œ μ‹œλ©˜νŠΈ 덩어리λ₯Ό λ‹€λ£¨λŠ” μ‚¬λžŒλ“€μ˜ μ›€μ§μž„μ„ 보고 κΈ°λ‘ν•˜λŠ” 일에 μ°©μˆ˜ν–ˆλ‹€.

μ†Œλ©Έμ΄ 운λͺ…μ΄κ±΄λ§Œ μ² κ±° 집행을 μœ μ˜ˆν•˜κ³  생λͺ…μ—°μž₯의 λŒ€κ·œλͺ¨ μˆ˜μˆ μ„ μ§‘λ„ν•˜κΈ° μœ„ν•΄μ„œλŠ” λͺ…뢄이 ν•„μš”ν•˜λ‹€. μ§€μƒμœΌλ‘œλΆ€ν„° 17m 높이λ₯Ό μ΄μ—ˆλ˜ ν•˜λŠ˜κΈΈ κ³ κ°€λ„λ‘œλŠ” λŒ€ν•œλ―Όκ΅­ κ·ΌλŒ€ν™”μ˜ μƒμ§•λ¬Όμ΄μ—ˆλ‹€. 역사적이닀. κ·Έ μžμ‹ λΏ μ•„λ‹ˆλΌ μ„œμšΈμ—­ μΌλŒ€λ₯Ό κ³ λΆ€κ°€ κ°€μΉ˜λ‘œ λ§Œλ“œλŠ” λ„μ‹œμž¬μƒμ˜ 주인곡이 될 μˆ˜λ„ μžˆμ—ˆλ‹€. λ„μ‹¬μ˜ μ„±μž₯동λ ₯이 λ˜λΌλŠ” μž„λ¬΄λ₯Ό λΆ€μ—¬λ°›μœΌλ©° 쑴재 λͺ…뢄을 ν™•λ³΄ν•œ κ³ κ°€λ„λ‘œλŠ” 운λͺ…을 거슀λ₯Έ 생λͺ…λ ₯을 κ³Όμ‹œν•œλ‹€.

μ •μ •ν˜ΈλŠ” 곡사μž₯ 주변을 μ§€μ†μ μœΌλ‘œ λ°©λ¬Έν•˜λ©° 근방에 가림막이 μ„Έμ›Œμ§€κ³  λͺ‡ 개의 λ„λ‘œκ°€ μ œκ±°λ˜λŠ” 과정을 λ³΄μ•˜λ‹€. λΉ¨κ°„ ν˜ΈμŠ€κ°€ κ³ κ°€λ„λ‘œ μœ„λ‘œ κ½‚νžˆκ³ , 호슀둜 λ”λŸ¬μš΄ 물이 λΉ μ Έλ‚˜μ™”λ‹€. κ±°λŒ€ν•œ 기계가 큰 철근을 λ“€μ–΄ 올렀 λ„λ‘œμ— λ‹€μ‹œ 꽂아 λ„£μ—ˆλ‹€. κ·Έλ ‡κ²Œ κ³ κ°€λ„λ‘œλŠ” μ Šμ–΄μ§€κ³  μžˆμ—ˆλ‹€.

κ·ΈλŠ” κ³ κ°€λ„λ‘œ 회좘의 과정을 ν”„λ ˆμž„μ— λ‹΄κ³  쒅이에 μΈν™”ν–ˆλ‹€. κ·ΈλŸ¬κ³ λŠ” 곧 이 사진을 땅에 λ¬»μ—ˆλ‹€.

μ–Όλ§ˆμ˜ μ‹œκ°„μ΄ 흐λ₯Έ ν›„ λ•…μ—μ„œ β€˜λ°œκ΅΄ν•œβ€™ 사진은, ꡬ겨지고 찒어지고 흙먼지에 λ³€μƒ‰λ˜μ–΄ 마치 과거의 기둝처럼 λ³΄μ˜€λ‹€. μ‹œκ°„μ΄ 차곑차곑 λˆ„μ λœ λͺ¨μ–‘μƒˆμ˜€λ‹€. κ·ΈλŠ” ν˜„μž¬μ΄μ§€λ§Œ 과거인 μ²™ν•˜λŠ” 이 이미지λ₯Ό λ‹€μ‹œ μŠ€μΊ”λ°›μ€ ν›„ μž¬ν”„λ¦°νŠΈν•˜μ—¬ μž‘μ—…μ„ μ™„κ²°μ§€μ—ˆλ‹€. κ³Όκ±°μ΄λ©΄μ„œ ν˜„μž¬μ΄κ³  또 λ―Έλž˜μ—¬μ•Ό ν•˜λŠ” μ„œμšΈμ—­ κ³ κ°€λ„λ‘œλŠ” κ·Έλ ‡κ²Œ κΈ°λ‘λ˜μ—ˆλ‹€.

Artist Statement


All spaces and places show some element of desire. The overpass next to the Seoul Railway Station reveals the desire to live a better life in the 1970s. But this will come to an end and be remodeled into a civic park for the new desire of β€œadvanced welfare.”

I wonder who such desire is for. I am curious about why only each individual’s desire is left as the actual value of something disappears, be it for political ideology or hegemonism for local residents. The Seoul Station overpass has been β€œashes” although this architectural structure is obviously existent.

I feel a sense of duty as a photographer to document that which will disappear. All existing things will eventually vanish. Or, they gain a different meaning. I have captured them in my frame as they are, but this is not merely to archive them. I have been involved in photography in various ways to contain how a structure is placed in the space of Seoul, what meaning it has, and what ideology it is based on.

I first of all take photographs of structures and then rapidly apply time to those images by damaging and abandoning them in diverse ways. This is to express the process of how necessity and desire are weakened through rapid development. The secondary results are produced by scanning those damaged photos, thereby encapsulating this structure’s appearance and its tarnished meaning in a photograph.


ArchiType 7017 #2_37Β°33'24.3"N 126Β°58'18.9"E, 100x80cm, Archival Pigment Print, 2016
ArchiType 7017 #1_37Β°33'23.8"N 126Β°58'17.1"E, 100x80cm, Archival Pigment Print, 2016
ArchiType 7017 #11_37Β°33'23.8"N 126Β°58'17.1"E, 90x180cm, Archival Pigment Print, 2016
ArchiType 7017 #21_37Β°33'25.7"N 126Β°58'08.1"E, 40x50cm, Archival Pigment Print, 2016
ArchiType 7017 #4, 450x360cm, Real-Picture Transfer Fabric, 2016
ArchiType 7017 #19_37Β°33'23.8"N 126Β°58'25.1"E, 80x100cm, Archival Pigment Print, 2016
ArchiType 7017 #18_37Β°33'19.0"N 126Β°58'03.4"E, 40x50cm, Archival Pigment Print, 2016
ArchiType 7017 #15_37Β°33'23.8"N 126Β°58'16.7"E, 40x50cm, Archival Pigment Print, 2016
ArchiType 7017 #6_37Β°33'19.0"N 126Β°58'03.4"E, 80x100cm, Archival Pigment Print, 2016
ArchiType 7017 #16_37Β°33'25.7"N 126Β°58'08.1"E, 20x25cm, Archival Pigment Print, 2016
ArchiType 7017 #14_37Β°33'23.3"N 126Β°58'09.7"E, 40x50cm, Archival Pigment Print, 2016
ArchiType 7017 #12_37Β°33'23.8"N 126Β°58'17.1"E, 175x140cm, Archival Pigment Print, 2016
ArchiType 7017 #17_ 37Β°33'23.3"N 126Β°58'19.1"E 37Β°33'23.8"N 126Β°58'17.1"E 37Β°33'23.9"N 126Β°58'10.6"E, 175x140cm, Archival Pigment Print, 2016
ArchiType 7017 #3_37Β°33'23.4"N 126Β°58'09.2"E, 80x100cm, Archival Pigment Print, 2016