์ •์ •ํ˜ธ
์ •์ •ํ˜ธ๋Š” ์„คํ™”๋‚˜ ์ˆจ์€ ์ด์•ผ๊ธฐ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํŠน์ • ์ง€์—ญ์˜ ์žฅ์†Œ์„ฑ์ด ์‚ฌ๋žŒ๋“ค์˜ ๋ฏฟ์Œ๊ณผ ์–ด๋–ป๊ฒŒ ์—ฐ๊ฒฐ๋˜๋Š”์ง€ ํƒ๊ตฌํ•˜๋ฉฐ, ๊ทธ๊ฒƒ์ด ๋™์‹œ๋Œ€ ์žฅ๋ฉด์— ์–ด๋–ป๊ฒŒ ์ž‘๋™๋˜๋Š”์ง€๋ฅผ ์‚ฌ์ง„๊ณผ ์˜์ƒ์œผ๋กœ ์ž‘์—…ํ•œ๋‹ค. ์ตœ๊ทผ์—๋Š” ์ธ๋ฅ˜ํ•™, ๋ฏผ์†ํ•™์  ๊ด€์‹ฌ์„ ํ†ตํ•ด ํ•œ๊ตญ์‹ ํ™”์— ๋“ฑ์žฅํ•˜๋Š” ์—ฌ์‹ ์˜ ์กด์žฌ์™€ ํ„ฐ์˜ ๊ด€๊ณ„, ํ’์ˆ˜์™€ ์ƒค๋จธ๋‹ˆ์ฆ˜์— ๊ด€์‹ฌ์ด ์žˆ๋‹ค.

์ฃผ์š”์ „์‹œ๋กœ๋Š” ใ€Š์‹  ํ„ฐใ€‹(๋ณด์•ˆ์—ฌ๊ด€, ์„œ์šธ, 2025), ใ€Š๋ฏฟ์Œ์˜ ์ง€ํ˜•ํ•™ใ€‹(๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ, 2024), ใ€Š๋ถ€์ฒ˜์™€ ๋งˆ๊ณ ํ• ๋ฏธใ€‹(์ฒญ์ฃผ๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์ฒญ์ฃผ, 2022)์˜ ๊ฐœ์ธ์ „์„ ๋น„๋กฏํ•ด ใ€Š์ง„๋™ํ•˜๋Š” ์‚ฌ๋ฌผ๋“คใ€‹(๊ตญ์ œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, 2026), ใ€Š์ปด๋ฐฑํ™ˆใ€‹(์„œ์šธ์‹œ๋ฆฝ์‚ฌ์ง„๋ฏธ์ˆ ๊ด€, ์„œ์šธ), ใ€Š๊ณต์กดใ€‹ (๋ฏธํ…”๋ผ์ธ ๋ฏธ์ˆ ๊ด€, ์ฝ”๋ธ”๋ž€์ธ , ๋…์ผ, 2024), ใ€Š์ •์ฐฉ์„ธ๊ณ„ใ€‹(์„œ์šธ์‹œ๋ฆฝ ๋ถ์„œ์šธ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, 2022), ใ€Š๋ณด์กด๊ณผํ•™์ž C์˜ ํ•˜๋ฃจใ€‹(๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ, 2020), ใ€ŠSeMA ์‹ ์†Œ์žฅํ’ˆ ๋ฉ€ํ‹ฐ ์—‘์„ธ์Šค 4913ใ€‹(์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ์„œ์†Œ๋ฌธ๋ณธ๊ด€, ์„œ์šธ, 2019) ๋“ฑ ๊ตญ๋‚ด์™ธ ๋‹ค์ˆ˜์˜ ์ „์‹œ์— ์ฐธ์—ฌํ–ˆ๋‹ค.

๋ ˆ์ง€๋˜์‹œ๋กœ๋Š” ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ(2024), ๋…์ผ ์ฟค์Šคํ‹€๋Ÿฌ ํ•˜์šฐ์Šค ์А๋กœ์Šค ๋ฐœ๋ชจ๋ž„(2023), ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณ ์–‘๋ ˆ์ง€๋˜์‹œ(2023)์˜ ์ž…์ฃผ์ž‘๊ฐ€๋กœ ํ™œ๋™ํ–ˆ์œผ๋ฉฐ ๋ผ์ด์นด ์นด๋ฉ”๋ผ โ€˜๊ธ€๋กœ๋ฒŒ ์บ ํŽ˜์ด๋„ˆโ€™(2020), KT&G ์ƒ์ƒ๋งˆ๋‹น โ€˜SKOPF ์˜ฌํ•ด์˜ ์ž‘๊ฐ€โ€™(2018)๋กœ ์„ ์ •๋˜์—ˆ๋‹ค. ์‚ฌ์ง„์ง‘ โ€˜๊ณ ์ˆ˜์˜ ๋„๊ตฌโ€™๋Š” ๋Œ€ํ•œ์ถœํŒ๋ฌธํ™”ํ˜‘ํšŒ โ€˜ํ•œ๊ตญ์—์„œ ๊ฐ€์žฅ ์•„๋ฆ„๋‹ค์šด ์ฑ…โ€™์„ ์ˆ˜์ƒ(2020)ํ•˜์˜€๋‹ค.
์ž‘ํ’ˆ์€ ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๊ณ ์€์‚ฌ์ง„๋ฏธ์ˆ ๊ด€, ํ˜ธ์ฃผํ˜„๋Œ€์‚ฌ์ง„์„ผํ„ฐ, ์ด๋ž€์˜ˆ์ˆ ์•„์นด๋ฐ๋ฏธ ๋“ฑ ๊ตญ๋‚ด์™ธ ๋ฏธ์ˆ ๊ด€์— ์†Œ์žฅ๋˜์–ด ์žˆ๋‹ค.

ํ•™๋ ฅ
2013 ํ™์ต๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ์‚ฌ์ง„ํ•™๊ณผ ์กธ์—…
2009 ๊ฑด๊ตญ๋Œ€ํ•™๊ต ์‹ ๋ฌธ๋ฐฉ์†กํ•™๊ณผ ์กธ์—…


๊ฐœ์ธ์ „
2025 ํ• ๋ฏธ์™€ ๋Œ, ๋ถ€์—ฐ, ์ธ์ฒœ
2025 ์‹  ํ„ฐ, ๋ณด์•ˆ์—ฌ๊ด€, ์„œ์šธ
2024 ๋ฏฟ์Œ์˜ ์ง€ํ˜•ํ•™, ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ
2022 ๋งค๊ทธ๋†€๋ฆฌ์•„, BMW ํฌํ† ์ŠคํŽ˜์ด์Šค, ๋ถ€์‚ฐ
2022 ๋ถ€์ฒ˜์™€ ๋งˆ๊ณ ํ• ๋ฏธ, ์ฒญ์ฃผ๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์ฒญ์ฃผ
2020 Beside, ๋ผ์ด์นด ์Šคํ† ์–ด ์ฒญ๋‹ด, ์„œ์šธ
2019 Leica x ์ •์ •ํ˜ธ '์ฟ ๋ฐ”', ํ˜„๋Œ€์นด๋“œ ๋””์ž์ธ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ, ์„œ์šธ
2019 Archive: Machine, Car and City, ๋ฅ˜๊ฐ€ํ—Œ, ์„œ์šธ
2016 Architype 7017, ๊ฐค๋Ÿฌ๋ฆฌ ์ •๋ฏธ์†Œ, ์„œ์šธ
2015 Fragments, Australian Centre for Photography, ์‹œ๋“œ๋‹ˆ, ํ˜ธ์ฃผ
2015 ๋ฐฑ์˜ ๋ฐœํ™”, ๋ฅ˜๊ฐ€ํ—Œ, ์„œ์šธ
2014 ๊ฒฐ, ๊ธˆ๋ณด์„ฑ์•„ํŠธ์„ผํ„ฐ, ์„œ์šธ
2014 ๊ฒฐ, ์‚ฌ์ด์•„ํŠธ ์ŠคํŽ˜์ด์Šค, ์„œ์šธ
2013 ๋ฐฑ์˜ ๋ฐœํ™”, ๊ฐค๋Ÿฌ๋ฆฌ ํ‰์ฐฝ๋™, ์„œ์šธ

์ฃผ์š”๊ทธ๋ฃน์ „
2026 ์ง„๋™ํ•˜๋Š” ์‚ฌ๋ฌผ๋“ค, ๊ตญ์ œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ
2026 ์ปด๋ฐฑํ™ˆ, ์„œ์šธ์‹œ๋ฆฝ ์‚ฌ์ง„๋ฏธ์ˆ ๊ด€, ์„œ์šธ
2025 ์šฐ๋ฆฌ๊ฐ€ ๋งŒ์ง„ ๊ฒƒ๋“ค, ์ŠคํŽ˜์ด์Šค55, ์„œ์šธ
2025 ํŠน๋ณ„ํ•  ๊ฒƒ, ์ฒญ์ฃผ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ
2024 ๋ฃจ๋‚˜ ์ดํŽ™ํŠธ: ๊ฑฐ์šธ๊ณผ ๋Œ, ์ปต์ž๊ตญ์œผ๋กœ ๋งŒ๋“  ๋ณ„์ž๋ฆฌ, ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ
2024 ํ”์ ์˜ ์ ๋ง‰, ํ•ด๋™๋ฌธํ™”์˜ˆ์ˆ ์ดŒ, ๋‹ด์–‘
2024 ์žŠํ˜€์ง์— ๋Œ€ํ•˜์—ฌ, ์˜จ์ˆ˜๊ณต๊ฐ„, ์„œ์šธ
2024 ์†Œ๋ฌธ๊ณผ ๋นŒ๋Ÿฐ์˜ ๋ฐค, ์šฐ๋ฏผ์•„ํŠธ์„ผํ„ฐ, ์ฒญ์ฃผ
2024 ๊ณต์กด, ๋ฏธํ…”๋ผ์ธ ๋ฏธ์ˆ ๊ด€, ์ฝ”๋ธ”๋ž€์ธ , ๋…์ผ
2023 ๋‹น์‹ ์—๊ฒŒ ๋ง์„ ๊ฑฐ๋Š” ์ด์œ , ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณ ์–‘๋ ˆ์ง€๋˜์‹œ, ์„œ์šธ
2023 ๋ฌผ์˜ ์™•: ๋™ํ•™๊ณผ ํ™”์—„์˜ ๋‘๋ฌผ๋จธ๋ฆฌ, ์žํ•˜๋ฏธ์ˆ ๊ด€, ์„œ์šธ
2023 ๋งคํ˜น์  ์šฐ์•„ํ•จ, ์ฟค์Šคํ‹€๋Ÿฌํ•˜์šฐ์Šค ์А๋กœ์Šค ๋ฐœ๋ชจ๋ž„, ๋ฐ”ํŠธ์•ฐ์Šค, ๋…์ผ
2023 ์ถฉ๋Œ: ํฌ๋ฅด์‰์™€ ๋คํ”„ํŠธ๋Ÿญ, ์•„ํŠธํ”Œ๋Ÿฌ๊ทธ์—ฐ์ˆ˜, ์ธ์ฒœ
2023 ์‚ฌ์ง„์„ ํ–ฅํ•œ ์‹œ์„ ๋“ค, ๋กœ์šด๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ
2022 ๊ฒƒ๋“ค, ํ”์  ๊ธฐ์–ต, ์ฒญ์ฃผ์‹œ๋ฆฝ ๋Œ€์ฒญํ˜ธ๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ
2022 ๋ฆฌ๋งคํ•‘, ๋ฆฌ๋งคํ•‘, ๋ฆฌ๋งคํ•‘, ์•„ํŠธํ”Œ๋Ÿฌ๊ทธ ์—ฐ์ˆ˜, ์ธ์ฒœ
2022 ์ˆจ์€ ๊ทธ๋ฆผ ์ฐพ๊ธฐ, ๊ฒฝ๊ธฐ ์ƒ์ƒ์บ ํผ์Šค ๋””์ž์ธ 1978, ์ˆ˜์›
2022 ์ •์ฐฉ์„ธ๊ณ„, ์„œ์šธ์‹œ๋ฆฝ ๋ถ์„œ์šธ๋ฏธ์ˆ ๊ด€, ์„œ์šธ
2022 ๋งค์น˜๋ฐ•์Šค, ์•„ํŠธํ”Œ๋Ÿฌ๊ทธ์—ฐ์ˆ˜, ์ธ์ฒœ
2022 ์œ ์˜ํ•˜๋Š” ๊ฑฐ์ฃผ์ž, ์•„ํŠธํ”Œ๋Ÿฌ๊ทธ์—ฐ์ˆ˜, ์ธ์ฒœ
2022 ๋„ํ๋ฉ˜ํƒ€15, ์ฒญ์ฃผ๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์ฒญ์ฃผ
2021 ๊ฒฝ๊ธฐ์‹œ๊ฐ์˜ˆ์ˆ ๋ฐœํ‘œ์ „ ์ƒ์ƒํ™”ํ™” 'ํ˜„์‹œ์  ์ „๊ฒฝ', ๋‹จ์›๋ฏธ์ˆ ๊ด€, ์•ˆ์‚ฐ
2021 ๋ณด์กด๊ณผํ•™์ž C์˜ ํ•˜๋ฃจ, ์ œ์ฃผ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ œ์ฃผ
2021 KT&G SKOPF ์‹ ์†Œ์žฅํ’ˆ์ „ 'PIC', KT&G ์ƒ์ƒ๋งˆ๋‹น, ์„œ์šธ
2021 Sound of Ananti, ์•„๋‚œํ‹ฐ ์ดํ„ฐ๋„ ์ €๋‹ˆ, ๊ฐ€ํ‰
2021 ๋‚ฏ์„  ๋„์‹œ, ๋„์ฐฉํ•œ ์‚ฌ๋žŒ๋“ค, ์–ด๋–ค ์ด์•ผ๊ธฐ, ์ฒญ์ฃผ๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์ฒญ์ฃผ
2021 ๋ฏธ์–€๋งˆ์˜ ๋ด„, ์‚ฌ๋ž‘๋†์žฅ, ๋ถ€์‚ฐ
2020 ์„ ๊ฐ๋น„๋‹ํ•˜์šฐ์Šค, ๋Œ€๋ถ€์„ ๊ฐ์–ด์ดŒ๊ณ„, ์•ˆ์‚ฐ
2020 ์ž‘๊ฐ€์ƒ๊ฐ, ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ, ์•ˆ์‚ฐ
2020 ๋ณด์กด๊ณผํ•™์ž C์˜ ํ•˜๋ฃจ, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ
2019 KT&G SKOPF ์˜ฌํ•ด์˜ ์ž‘๊ฐ€์ „, ๊ณ ์€์‚ฌ์ง„๋ฏธ์ˆ ๊ด€, ๋ถ€์‚ฐ
2019 ํšŒ๊ท€๋ณธ๋Šฅ, ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ, ์•ˆ์‚ฐ
2019 ํฌํ† ๋Ÿฐ๋˜, ์†Œ๋จธ์…‹ํ•˜์šฐ์Šค, ๋Ÿฐ๋˜, ์˜๊ตญ
2019 SeMA ์‹ ์†Œ์žฅํ’ˆ ๋ฉ€ํ‹ฐ ์—‘์„ธ์Šค 4913, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ์„œ์†Œ๋ฌธ๋ณธ๊ด€, ์„œ์šธ
2018 ํ†ตํ•ฉ ๋ถˆ๊ฐ€๋Šฅํ•œ ๊ฐœ๋ณ„์  ๊ฐœ์ฒด๋“ค, ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ, ์•ˆ์‚ฐ
2018 ๋‰ด์ปฌ๋ ‰์…˜, ๋ฅ˜๊ฐ€ํ—Œ, ์„œ์šธ
2018 ์ ๋ง‰ํ•œ ๊ณ ์š”์™€ ์ง™์€ ํ•ด๋ฌด ์‚ฌ์ด, ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ, ์•ˆ์‚ฐ
2018 ๊ณต์ธ๋˜์ง€ ์•Š์€ ๋‹ด๋ก ์ž๋“ค, ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ, ์•ˆ์‚ฐ
2017 ์˜๋‚จ์˜ ์›๋ฅ˜๋ฅผ ์ฐพ์•„์„œ, ์‹ ์„ธ๊ณ„๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ
2017 ์ž‘์—…์˜ ๋ชฉ์ , ์˜ˆ์ˆ ์ง€๊ตฌ P, ๋ถ€์‚ฐ
2017 ๋ ˆ์‹œํ”ผ, ์˜ˆ์ˆ ์ง€๊ตฌ P, ๋ถ€์‚ฐ,
2017 ์‹œ์ž‘์„ ๋๋‚ด๋ผ, ์˜ˆ์ˆ ์ง€๊ตฌ P, ๋ถ€์‚ฐ
2017 Current, Counihan Gallery, ์‹œ๋“œ๋‹ˆ, ํ˜ธ์ฃผ
2017 ์„ธ๊ณ„๋ฌธ์ž์‹ฌํฌ์ง€์•„ 'Script and Memory', ๋Œ€์šฐ๋นŒ๋”ฉ, ์„œ์šธ
2016 ์„ธ๊ณ„๋ฌธ์ž์‹ฌํฌ์ง€์•„ 'ํ–‰๋ž‘', ์ต์„ ๋™์ผ๋Œ€, ์„œ์šธ
2016 ๋‚™์›์˜ ๊ณ ์ˆ˜, ๋‚™์›์ƒ๊ฐ€, ์„œ์šธ
2015 Current, ๋จธ๋ ˆ์ด ๋ฏธ์ˆ ๊ด€ ์•จ๋ฒ„๋ฆฌ, NSW, ํ˜ธ์ฃผ
2015 FOTOFEST Mapping Territories, NRG Center, ํœด์Šคํ„ด, ๋ฏธ๊ตญ
2015 ๋ฃจ๋‚˜ํฌํ† ํŽ˜์Šคํ‹ฐ๋ฐœ, ๋•์ˆ˜๊ถ ํ•จ๋…•์ „,
2015 ์žฅ๋‹˜ ์ฝ”๋ผ๋ฆฌ ๋งŒ์ง€๋“ฏ์ด, ์ง€๊ธˆ์—ฌ๊ธฐ, ์„œ์šธ
2015 FOTOFEST International Discoveries V, ์‹ค๋ฒ„์ŠคํŠธ๋ฆฌํŠธ ์ŠคํŠœ๋””์˜ค, ํœด์Šคํ„ด, ๋ฏธ๊ตญ
2014 Assemble Five Sense of Dream, ์ด๋ž€์˜ˆ์ˆ ์•„์นด๋ฐ๋ฏธ, ํ…Œํ—ค๋ž€, ์ด๋ž€
2011 ํ•‘์•ผ์˜ค ๊ตญ์ œ์‚ฌ์ง„ ํŽ˜์Šคํ‹ฐ๋ฐœ, ์‚ฐ์‹œ, ์ค‘๊ตญ

์ˆ˜์ƒ ๋ฐ ์„ ์ •
2026 ์ธ์ฒœ๋ฌธํ™”์žฌ๋‹จ ์˜ˆ์ˆ ์ฐฝ์ž‘์ง‘์ค‘ ์ง€์› ์„ ์ •, ์ธ์ฒœ๋ฌธํ™”์žฌ๋‹จ
2025 ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ ์˜ˆ์ˆ ์ฐฝ์ž‘ํ™œ๋™ ์ง€์› ์„ ์ •, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ
2025 ์ธ์ฒœ๋ฌธํ™”์žฌ๋‹จ ์˜ˆ์ˆ ์ฐฝ์ž‘์ง‘์ค‘ ์ง€์› ์„ ์ •, ์ธ์ฒœ๋ฌธํ™”์žฌ๋‹จ
2025 ์•„ํŠธ๊ฒฝ๊ธฐ ์„ ์ •, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ
2024 ์ „์‹œํ”„๋กœ์ ํŠธ ์ง€์› ์„ ์ •, ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ
2023 ํ•ด์™ธ๋ ˆ์ง€๋˜์Šค ๊ต๋ฅ˜ ํ”„๋กœ๊ทธ๋žจ ์„ ์ •, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณ ์–‘๋ ˆ์ง€๋˜์‹œ
2023 ์•„ํŠธ๊ฒฝ๊ธฐ ์„ ์ •, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ
2022 ์ „์‹œํ”„๋กœ์ ํŠธ ์ง€์›, ๋ผ์ด์นด ์นด๋ฉ”๋ผ ์ฝ”๋ฆฌ์•„
2022 BMW FOTO FUTURE ์„ ์ •, BMW Photo Space
2022 ํ•œ๊ตญ์—์„œ ๊ฐ€์žฅ ์•„๋ฆ„๋‹ค์šด ์ฑ… ์„ ์ •, ๋Œ€ํ•œ์ถœํŒ๋ฌธํ™”ํ˜‘ํšŒ
2021 ๊ฒฝ๊ธฐ๋„ ๋ฌธ์˜ˆ์ง„ํฅ ์‹œ๊ฐ์˜ˆ์ˆ ๋ถ„์•ผ ๊ธฐ๊ธˆ ์„ ์ •, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ
2020 ์•„ํŠธ์ฒด์ธ์ง€์—… ์„ ์ •, ๊ฒฝ๊ธฐ๋ฌธํ™”์žฌ๋‹จ
2020 ์•„๋ฅด์ฝ” ์ฒญ๋…„์˜ˆ์ˆ ๊ฐ€ ์ง€์›์‚ฌ์—… ์‹œ๊ฐ์˜ˆ์ˆ ๋ถ„์•ผ ๊ธฐ๊ธˆ ์„ ์ •, ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ
2020 ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์ž‘ํ’ˆ ์ œ์ž‘ ์ง€์›, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€
2020 ์ „์‹œํ”„๋กœ์ ํŠธ ์ง€์›, ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ
2019 ๋ผ์ด์นด ์นด๋ฉ”๋ผ ๊ธ€๋กœ๋ฒŒ ์บ ํŽ˜์ด๋„ˆ ์„ ์ •, ๋ผ์ด์นด ์นด๋ฉ”๋ผ
2018 ์„œ์šธํŠน๋ณ„์‹œ ๋„์‹œ์žฌ์ƒํ™œ์„ฑํ™”๊ณผ ๊ธฐํš๊ณต๋ชจ์‚ฌ์—… ์„ ์ •, ์„œ์šธํŠน๋ณ„์‹œ
2018 KT&G ์ƒ์ƒ๋งˆ๋‹น ํ•œ๊ตญ์‚ฌ์ง„๊ฐ€ ์ง€์›ํ”„๋กœ๊ทธ๋žจ SKOPF ์˜ฌํ•ด์˜ ์ž‘๊ฐ€ ์„ ์ •, KT&G ์ƒ์ƒ๋งˆ๋‹น
2016 ๊ฐค๋Ÿฌ๋ฆฌ ์ •๋ฏธ์†Œ ์ „์‹œ์ง€์› ์ž‘๊ฐ€ ์„ ์ •, ๊ฐค๋Ÿฌ๋ฆฌ ์ •๋ฏธ์†Œ
2015 FOTOFEST ์ธํ„ฐ๋‚ด์…”๋„ ๋””์Šค์ปค๋ฒ„๋ฆฌ V ์„ ์ •, FOTOFEST, ๋ฏธ๊ตญ

๋ ˆ์ง€๋˜์‹œ
2024 ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ
2023 ์ฟค์Šคํ‹€๋Ÿฌ ํ•˜์šฐ์Šค ์А๋กœ์Šค ๋ฐœ๋ชจ๋ž„, ๋ฐ”ํŠธ์•ฐ์Šค, ๋…์ผ
2023 ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณ ์–‘๋ ˆ์ง€๋˜์‹œ, ๊ณ ์–‘
2022 ์•„ํŠธํ”Œ๋Ÿฌ๊ทธ ์—ฐ์ˆ˜, ์ธ์ฒœ
2021 ์ฒญ์ฃผ๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์ฒญ์ฃผ
2018-2020 ๊ฒฝ๊ธฐ์ฐฝ์ž‘์„ผํ„ฐ, ์•ˆ์‚ฐ
2017 ์˜ˆ์ˆ ์ง€๊ตฌp, ๋ถ€์‚ฐ
2015 ๋ณด๊ณต ์„ผํ„ฐ ํฌ ์‚ฌ์šด๋“œ ์ปฌ์ณ, NSW, ํ˜ธ์ฃผ
2014 ์ด๋ž€ ์•„๋ฅด์ฝ” ๋…ธ๋งˆ๋”• ๋ ˆ์ง€๋˜์‹œ ํ”„๋กœ๊ทธ๋žจ, ์ด๋ž€

๊ฐ•์˜ ๋ฐ ๋ฐœํ‘œ
2026 ์—ฐ์„ธ๋Œ€ํ•™๊ต ์‹œ๊ฐ๋””์ž์ธํ•™๊ณผ ๊ฐ•์‚ฌ, ์›์ฃผ
2026 ๊ณ„์›์˜ˆ์ˆ ๋Œ€ํ•™๊ต ์‚ฌ์ง„์˜ˆ์ˆ ๊ณผ ๊ฐ•์‚ฌ, ์˜์™•
2026 ์„œ์šธ์‹œ๋ฆฝ ์‚ฌ์ง„๋ฏธ์ˆ ๊ด€ ๋„์ŠจํŠธ ๊ต์œก, ์„œ์šธ
2025 ํ•œ๊ตญ๋ฌด์†ํ•™ํšŒ ํ•™์ˆ ๋Œ€ํšŒ ์ดˆ์ฒญ ๊ฐ•์—ฐ, ์„œ๊ฐ•๋Œ€ํ•™๊ต, ์„œ์šธ
2025 ์—ฐ์„ธ๋Œ€ํ•™๊ต ์‹œ๊ฐ๋””์ž์ธํ•™๊ณผ ๊ฐ•์‚ฌ, ์›์ฃผ
2025 ๊ณ„์›์˜ˆ์ˆ ๋Œ€ํ•™๊ต ์‚ฌ์ง„์˜ˆ์ˆ ๊ณผ ๊ฐ•์‚ฌ, ์˜์™•
2024 ํ•œ๊ตญ์˜ˆ์ˆ ์ข…ํ•ฉํ•™๊ต ์ „๋ฌธ์‚ฌ ์กฐํ˜•์˜ˆ์ˆ ๊ณผ ํŠน๊ฐ•, ์„œ์šธ
2024 ์ˆ˜์›๋Œ€ํ•™๊ต ์กฐํ˜•์˜ˆ์ˆ ํ•™๋ถ€ ํŠน๊ฐ•, ์ˆ˜์›
2024 ๊ณต๊ฐœ ์›Œํฌ์ˆ, ์„œ์šธํ™˜๊ฒฝ์—ฐํ•ฉ, ์„œ์šธ
2024 ๊ฐœ๋ง‰ ์Šคํฌ๋ฆฌ๋‹, ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ
2024 ์—ฐ์„ธ๋Œ€ํ•™๊ต ์‹œ๊ฐ๋””์ž์ธํ•™๊ณผ ๊ฐ•์‚ฌ, ์›์ฃผ
2023 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ์ฟค์Šคํ‹€๋Ÿฌํ•˜์šฐ์Šค์А๋กœ์Šค ๋ฐœ๋ชจ๋ž„, ๋ฐ”ํŠธ์•ฐ์Šค, ๋…์ผ
2023 ๊ณต๊ฐœ์„ธ๋ฏธ๋‚˜, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ
2023 ์—ฐ์„ธ๋Œ€ํ•™๊ต ์‹œ๊ฐ๋””์ž์ธํ•™๊ณผ ๊ฐ•์‚ฌ, ์›์ฃผ
2022 ์ค‘์•™๋Œ€ํ•™๊ต ์กฐ์†Œ๊ณผ ํŠน๊ฐ•, ์•ˆ์„ฑ
2022 ๊ณต๊ฐœ ์„ธ๋ฏธ๋‚˜, ์•„ํŠธํ”Œ๋Ÿฌ๊ทธ์—ฐ์ˆ˜, ์ธ์ฒœ
2022 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, BMW Photo Space, ๋ถ€์‚ฐ
2020 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ๋ผ์ด์นด ์นด๋ฉ”๋ผ ์ฒญ๋‹ด, ์„œ์šธ
2019 ๊ณต๊ฐœ ์„ธ๋ฏธ๋‚˜, ๋ง๊ณ ์„œ๋ฆผ, ์„œ์šธ
2019 ์•„ํ‹ฐ์ŠคํŠธ ํ† ํฌ, ํ˜„๋Œ€์นด๋“œ ๋””์ž์ธ ๋ผ์ด๋ธŒ๋Ÿฌ๋ฆฌ, ์„œ์šธ
2017 ์ž‘์—… ํ”„๋ฆฌ์  ํ…Œ์ด์…˜, ์„ธ๊ณ„๋ฌธ์ž์‹ฌํฌ์ง€์•„, ์„œ์šธ
2017 ๊ตญ๋ฏผ๋Œ€ํ•™๊ต ์‹ ๋ฌธ๋ฐฉ์†กํ•™๊ณผ ํŠน๊ฐ•, ์„œ์šธ
2017 ์ˆ™๋ช…์—ฌ์ž๋Œ€ํ•™๊ต ๋ฏธ๋””์–ด ํ•™๋ถ€ํŠน๊ฐ•, ์„œ์šธ
2015 ์ž‘์—… ํ”„๋ฆฌ์  ํ…Œ์ด์…˜, ๋ณด๊ณต ์„ผํ„ฐ ํฌ ์šฐ๋จผ, NSW, ํ˜ธ์ฃผ
2015 ์ž‘์—… ํ”„๋ฆฌ์  ํ…Œ์ด์…˜, FOTOFEST, ํœด์Šคํ„ด, ๋ฏธ๊ตญ
2014 ์ž‘์—… ํ”„๋ฆฌ์  ํ…Œ์ด์…˜, ์ด๋ž€์˜ˆ์ˆ ์œ„์›ํšŒ, ํ…Œํ—ค๋ž€, ์ด๋ž€
2013 ๊ฑด๊ตญ๋Œ€ ๋ฌธํ™”์ฝ˜ํ…์ธ ํ•™๊ณผ ํŠน๊ฐ•, ์„œ์šธ
2011 ๊ฑด๊ตญ๋Œ€ ๋ฏธ๋””์–ด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ํ•™๊ณผ ํŠน๊ฐ•, ์„œ์šธ

์ถœํŒ
2021 ใ€Ž๊ณ ์ˆ˜์˜ ๋„๊ตฌใ€, ์†Œํ™˜์‚ฌ
2020 ใ€Ž๋ ˆ์ €ํƒ€์šดใ€, ๋…๋ฆฝ์ถœํŒ
2019 ใ€Ž์•„์นด์ด๋ธŒ: ๊ธฐ๊ณ„, ์ž๋™์ฐจ, ๊ทธ๋ฆฌ๊ณ  ๋„์‹œใ€, ์„œ์šธํŠน๋ณ„์‹œ
2014 ใ€Ž๊ฒฐใ€, ๋…๋ฆฝ์ถœํŒ
2013 ใ€Ž๋ฐฑ์˜๋ฐœํ™”ใ€, ๋…๋ฆฝ์ถœํŒ

์†Œ์žฅ
2024 ์ฒญ์ฃผ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ
2023 ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๊ณผ์ฒœ
2022 ๊ณ ์€์‚ฌ์ง„๋ฏธ์ˆ ๊ด€, ๋ถ€์‚ฐ
2021 ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ
2021 ANANTI, ๊ฐ€ํ‰
2020 ์„œ์šธ์‹œ์ฒญ ๋ฐ•๋ฌผ๊ด€๊ณผ, ์„œ์šธ
2020 JTBC, ์„œ์šธ
2020 ๋ผ์ด์นด ์นด๋ฉ”๋ผ ์ฝ”๋ฆฌ์•„, ์„œ์šธ
2019 KT&G ์ƒ์ƒ๋งˆ๋‹น, ์„œ์šธ
2018 ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ
2015 ํ˜ธ์ฃผ์‚ฌ์ง„์„ผํ„ฐ, ํ˜ธ์ฃผ
2015 ๋ณด๊ณต์‚ฌ์šด๋“œ์ปฌ์ณ์„ผํ„ฐ, ํ˜ธ์ฃผ
2014 ์ด๋ž€์˜ˆ์ˆ ์•„์นด๋ฐ๋ฏธ, ์ด๋ž€


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Jungho Jung
Jungho Jung explores how the placeness of specific regions connects to peopleโ€™s beliefs through myths and hidden narratives, and how these relationships operate within contemporary scenes, using photography and video. Recently, through interests in anthropology and folklore, his work has focused on the relationship between goddesses appearing in Korean mythology and sites of spiritual significance, as well as geomancy and shamanism.

His major solo exhibitions include Sacred Site (Boan Art Space, Seoul, 2025), Topography of Belief (Seoul Art Sapce of Geumcheon, Seoul, 2024), and Buddha and Magohalmi (Cheongju Art Studio, Cheongju, 2022). He has also participated in numerous group exhibitions in Korea and abroad, including Objects in Oscillation (Kukje Gallery, Seoul, 2026), Come Back Home (Photography Seoul Museum of Art, Seoul), Coexistence (Mittelrhein Museum, Koblenz, Germany, 2024), Printed World (Buk-Seoul Museum of Art, Seoul, 2022), Conservator Cโ€™s Day (National Museum of Modern and Contemporary Art, Cheongju, 2020), and Multi Access 4913 (Seoul Museum of Art Seosomun Main Branch, 2019).

He was a residency artist at Seoul Art Space Geumcheon (Seoul, Korea, 2024), Kunstlerhaus Schloss Balmoral (Bad Ems, Germany, 2023), National Museum of Modern and Contemporary Art Goyang Residency (Goyang, Korea, 2023). He was selected as 'SKOPF Artist of the Year' by KT&G Sangsangmadang (2018) and 'Global Campaigner' by Leica Camera (2020). His photobook 'Tools of Master' was awarded 'The Most Beautiful Bookโ€™ in Korea (2022) by the Korean Publishers Association.

His works are included in the collections of major museums and institutions in Korea and abroad, including the National Museum of Modern and Contemporary Art, Seoul Museum of Art, Cheongju Museum of Art, GoEun Museum of Photography, the Australian Centre for Contemporary Photography, and the Iranian Academy of Arts.


Education
2013 MFA Hongik University, Graduate School of Photography
2009 BA Kunkuk University, Department of Mass Communication

Solo Exhibitions
2025 Halmi and Stone, Buyeon, Inchoen, Korea
2025 Sacred Site, Art Space of Boan, Seoul, Korea
2024 Topography of Beliefs , Seoul Art Space Geumcheon, Seoul, Korea
2022 Magnolia, BMW Photo Space, Busan, Korea
2022 Budha and Magohalmi, Cheongju Art Studio, Cheongju, Korea
2020 Beside, Leica Store Cheongdam, Seoul
2019 Leica x Jungho Jung , Hyundai Card Design Library, Seoul
2019 Archive: Machine, Car and City, Ryugaheon Gallery, Seoul, Korea
2016 Architype 7017, Artspace Jungmiso, Seoul, Korea
2015 Fragments, Australian Center for Photography, Sydney, Australia
2015 White Utterance, Ryugaheon Gallery, Seoul, Korea
2014 Ice Chaosmos, Kimbosung Art Center, Seoul, Korea
2014 Ice Chaosmos, Cyart Space, Seoul, Korea
2013 White Utterance, Gallery Pyungchangdong, Seoul, Korea

Selected Group Exhibitions
2026 Objects in Oscillation, Kukje Gallery, Seoul, Korea
2026 Comeback Home, Photography Seoul Museum of Art, Seoul, Korea
2025 Journey to Distinction, Cheongju Museum of Art, Cheongju, Korea
2024 Lunar Effect: Mirrors, crystals and constellation of cup marks, Seoul Art Space Geumcheon, Seoul, Korea
2024 When traces take form, Haedong Art & Culture Platform, Damyang, Korea
2024 In the embrace of Bygone Days, Onsu gonggan, Seoul, Korea
2024 Rumors and Villains Night, Wumin Art Center, Cheongju, Korea
2024 Coexist, Mittelrhein Museum Koblenz, Koblenz, Germany
2023 To you, I say , National Museum of Modern and Contemporary Art Goyang Residency, Goyang, Korea
2023 The Great Vortex Between Donghak and Avatamsark, Zaha Museum, Seoul
2023 Seductive Elegance, Kunstlerhaus Schloss Balmoral, Bad Ems, Germany
2023 Colission: Dump Truck and Porsche, Art Plug Yeonsu, Incheon, Korea
2023 Perspective on Photography, Raun Gallery, Seoul, Korea
2022 Things, Traces and Memories, Daecheong ho Museum of Art, Cheongju, Korea
2022 Finding Hidden Pictures, Gyeonggi Sangsang Campus, Suwon, Korea
2022 Printed World, Buk-Seoul Museum of Arts, Korea
2022 Match Box, Art Plug Yeonsu, Incheon, Korea
2022 Floating Resident, Art Plug Yeonsu, Incheon, Korea
2022 Documenta 15, Cheongju Arts Studio, Cheongju, Korea
2021 Sangsanghwahwa 'Manifest Panorama', Danwon Museum of Art, Ansan, Korea
2021 Conservator C's Day, JeJu Museum of Art, JeJu, Korea
2021 KT&G SKOPF New Acquisition 'PIC', KT&G Sangsangmadang, Seoul, Korea
2021 Sound of Ananti, Ananti Eternal Journey, Gapyeong, Korea
2021 Strange City, Arrival People, Some Story, Cheongju Arts Studio, Cheongju, Korea
2021 Myanmar Spring, Sarang Farm, Gimhae, Korea
2020 Seongam Vinyl House, Daebu fishing village cooperatives, Ansan, Korea
2020 Conservator C's Day, National Museum of Modern and Contemporary Art, Cheongju, Korea
2019 KT&G SKOPF Artist of the year, Goeun Museum of Photography, Busan, Korea
2019 Homing Instinct, Gyeonggi Creation Center, Ansan, Korea
2019 Photo London, Somerset House, London, UK
2019 SeMA Multi Access 4913, Seoul Museum of Art, Seoul, Korea
2018 Nonunifiable Heterogeneous Individuals, Gyeonggi Creation Center, Ansan, Korea
2018 In Quiet Silence and Heavy Sea Mist, Gyeonggi Creation Center, Ansan, Korea
2018 Unofficial Discourser, Gyeonggi Creation Center, Ansan, Korea
2017 Current, Counihan Gallery, Sydney, Australia
2017 In Search of the Origins of Yeongnam, Shinsegae Gallery, Daegu
2017 Recipe, Art Distict P, Busan, Korea
2016 World Script Symposia 'Hangrang', Seoul, Korea
2016 Master of Nakwon, Nakwon Arcade, Seoul, Korea
2015 Current, Murray Art Museum Albury, NSW, Australia
2015 FotoFest: Mapping Territories, NRG Center, Houston, TX, USA
2015 Lunar Photo Fest, Duksugung Palace/ Ryugaheon Gallery, Seoul, Korea
2015 Like Touching Elephant, Nowhere, Seoul, Korea
2015 FotoFest International Discoveries V, Silver Street Studio, Houston, TX, USA
2014 Assemble The Five Sense of dream, Iranian Academy of Arts, Tehran, Iran
2011 Pingyao International Photo Festival, Sansi, China

Award and Fund
2026 Support fund for Project, The Incheon Foundation for Arts and Culture, Korea
2025 Support fund for Project, The Seoul Foundation for Arts and Culture, Korea
2025 Support fund for Project, The Incheon Foundation for Arts and Culture, Korea
2024 Support fund for Project, Seoul Art Space Geumcheon, Seoul, Korea
2023 Selected for Residency exchange Program, MMCA Goyang, Korea
2022 Support fund for Project, Leica Camera, Korea
2022 BMW Foto Futures, BMW Photo Space, Korea
2022 Selcted The Most Beautiful Book in Korea, Korean Publishers Association, Korea
2021 Support Fund for the Project, Gyeonggi Cultural Foundation, Korea
2020 Support Fund for โ€™Art Change Upโ€™, Gyeonggi Cultural Foundation, Korea
2020 Support Fund for Project, Arts Council Korea, Korea
2020 Commisioned Work, National Museum of Modern and Contemporary Art, Korea
2020 Support fund for Project, Gyeonggi Creation Center, Ansan, Korea
2019 Selected Global Campaigner Artist, Leica Camera, Korea
2019 Support Fund for Project, Seoul Metropolitan Government, Korea
2018 Selected SKOPF Korean Photographer's Fellowship Artist of the year, KT&G Sangsangmadang, Korea
2016 Selected Emerging Artist by Gallery Jungmiso, Seoul, Korea
2015 Selected Artist by FOTOFEST International Discoveries V, FOTOFEST, USA

Residency
2024 Seoul Art Space Geumcheon, Seoul, Korea
2023 Kunstlerhaus Schloss Balmoral, Bad Ems, Germany
2023 Natioanl Museum of Modern and Contemporary Art Goyang Residency, Korea
2022 ArtPlug Yeonsu, Incheon, Korea
2021 Cheongju Art Studio, Cheongju, Korea
2018-2020 Gyeonggi Creation Center, Ansan, Korea
2017 Art District P, Busan, Korea
2015 Bogong Centre for Sound Culture, Australia
2014 Arts Council Korea Normadic Residency Program, Iran

Lecture and Presentation
2026 Lecturer, Yonsei University, Dept of Visual Communication, Wonju
2026 Lecturer, Kaywon University Art and Design, Dept of Photographic Art, Uiwang
2026 Visiting Lecture, Seoul Museum of Photography Docent Training Program, Seoul
2025 Visiting Lecture, Association for Korean Shamanistic Studies, Sogang University, Seoul
2025 Lecturer, Yonsei University, Dept of Visual Communication, Wonju
2025 Lecturer, Kaywon University Art and Design, Dept of Photographic Art, Uiwang
2024 Guest Lecturer, Korea National University of Arts, Dept of Visual Arts, Seoul
2024 Guest Lecturer, Suwon University, Dept of Visual Arts, Suwon
2024 Public Workshop, Korean Federation for Environmental Movement , Seoul
2024 Opening Screening, Geumcheon Art Space, Seoul
2024 Lecturer, Yonsei University, Dept of Visual Communication, Wonju
2023 Artist Talk, Kunstlerhas Schloss Balmoral, Bad EMS, Germany
2023 Public Seminar, National Museum of Contemporary Art, Seoul
2023 Lecturer, Yonsei University, Dept of Visual Communication, Wonju
2022 Guest Lecturer, Joongang University, Ansung
2022 Public Seminar, Art Plug Yeonsu, Incheon
2022 Artist Talk, BMW Photo Space, Pusan
2020 Artist Talk, Leica Camera Cheongdam, Seoul
2019 Public Seminar, Mango Books, Seoul
2019 Artist Talk, Hyundai Card Design Library, Seoul
2017 Artist Talk, World Script Symposia, Seoul
2017 Guest Lecturer, Kookmin University, Dept of Mass Communication, Seoul
2017 Guest Lecturer, Sookmyung Woman University, Dept of Media, Seoul
2015 Artist Talk, Bogong Center for Woman, NSW, Australia
2015 Presentation, FOTOFEST, Houston, USA
2014 Presentation, Iranian Academy of Arts, Iran
2013 Guest Lecturer, Konkuk University, Digital Culture & Contents, Seoul
2011 Guest Lecturer, Konkuk University, Dept of Media Communication, Seoul

Publication
2021 ใ€ŽTools of Masterใ€, Sohwansa
2020 ใ€ŽLeisure Townใ€, Independant Publisher
2019 ใ€ŽArchive: Machine, Car and Cityใ€, Seoul Metropolitan Government
2014 ใ€ŽIce Chaosmosใ€, Independant Publisher
2013 ใ€ŽWhite Utteranceใ€, Independant Publisher

Collection
2024 Cheongju Museum of Art, Cheongju, Korea
2023 National Museum of Modern and Contemporary Art, Korea
2022 Goeun Museum of Photography, Korea
2021 Seoul Museum of Art, Korea
2021 ANANTI, Korea
2020 Seoul Metropolitan Government Museum Division, Korea
2020 Leica Camera Korea, Korea
2020 JTBC, Korea
2019 KT&G Sangsangmadang, Korea
2018 Seoul Museum of Art, Korea2015 Australian Centre for Photography, Australia
2015 Bogong Centre for Sound Culture, Australia
2014 Iranian Academy of Arts, Iran