μ •μ •ν˜Έ
λŒ€ν•™μ—μ„œ μ €λ„λ¦¬μ¦˜κ³Ό 사진을 κ³΅λΆ€ν–ˆλ‹€. μž‘μ—… μ΄ˆκΈ°μ—λŠ” μžμ—°μ˜ ν˜„μƒμ΄λ‚˜ 물질의 미적인 ν˜•νƒœμ— 관심을 두고 μ‚¬μ§„μœΌλ‘œ μž‘μ—…ν•΄ μ™”λ‹€λ©΄ 졜근의 μž‘μ—…μ€ 주둜 μ§€μ—­μ˜ λ³€ν™”λ‚˜ μˆ¨κ²¨μ§„ 이야기에 관심을 두고 이λ₯Ό 사진과 μ˜μƒμ„ μ΄μš©ν•΄ μž‘μ—…ν•˜κ³  μžˆλ‹€.

μ„œμšΈμ—­ κ³ κ°€λ„λ‘œκ°€ κ³΅μ›μœΌλ‘œ λ³€ν™”ν•˜λŠ” κ³Όμ • <μ•„ν‚€νƒ€μž…7017>, ν•œκ΅­ 쀑고차 μ‹œμž₯의 λ©”μΉ΄μ˜€μ§€λ§Œ μ΄μ œλŠ” 침체되고 μ‚¬λΌμ§ˆ μž₯ν•œν‰ μ§€μ—­μ˜ 풍경 <μ•„μΉ΄μ΄λΈŒ: 기계, μžλ™μ°¨ 그리고 λ„μ‹œ>, μ„œν•΄μ˜ λŒ€λΆ€λ„ 인근을 μ€‘μ‹¬μœΌλ‘œ κ΄€κ΄‘λ„μ‹œμ˜ κΈ°ν˜•μ μΈ 풍경을 μ‚¬μ§„μœΌλ‘œ κΈ°λ‘ν•œ <λ ˆμ €νƒ€μš΄>, μ§€μ—­μ˜ λ…νŠΉν•œ 지λͺ…을 μΆ”μ ν•˜λŠ” κ³Όμ •μ—μ„œ μ§€μ—­μ˜ 무당과, ν–₯ν† μ‚¬ν•™μžλ₯Ό λ§Œλ‚˜λ©° μ‹ ν™” 속에 λ“±μž₯ν•˜λŠ” 창쑰의 μ—¬μ‹  β€˜λ§ˆκ³ ν• λ―Έβ€™μ™€ β€˜μ•„λ―Ένƒ€λΆ€μ²˜β€™λ₯Ό μΆ”μ ν•˜λŠ” <λΆ€μ²˜μ™€ λ§ˆκ³ ν• λ―Έ>λ₯Ό μž‘μ—…ν•΄ μ™”λ‹€.

λ˜ν•œ κ°œμΈμž‘μ—… 이외에도 μ§€μ—­μ˜ μ‚¬λžŒλ“€κ³Ό 관계λ₯Ό 맺으며 κ·Έλ“€μ˜ μ‚Άκ³Ό 곡간이 μ–΄λ–»κ²Œ 예술둜 변화될 수 μžˆλŠ”μ§€ λ‹€λ₯Έ μž‘κ°€μ™€μ˜ ν˜‘μ—…μ„ 톡해 μ‹€ν—˜ν•˜κΈ°λ„ ν•œλ‹€. 선감도 μ£Όλ―Όλ“€μ˜ 인터뷰λ₯Ό λ°”νƒ•μœΌλ‘œ μ‹ λ…Έλ™μš”λ₯Ό μž‘κ³‘ν•˜κ³  μ§€μ—­μ˜ 개발과 ν™˜κ²½μ  λ³€ν™”λ‘œ 인해 달라진 삢을 λ‹€νλ©˜ν„°λ¦¬ μ˜μƒμœΌλ‘œ μ œμž‘ν•œ <μ„ κ°μ˜ λ…Έλ™μš”λ₯Ό μ°Ύμ•„μ„œ>, 낙원악기상가 μž₯인듀 110μ—¬ λͺ…μ˜ 손을 μ΄¬μ˜ν•˜λ©° κ·Έλ“€μ˜ 손이 μ§€μ—­μ˜ μ—­μ‚¬μ΄μž μƒμ§•μž„μ„ λΉ„μœ ν•œ <λ‚™μ›μ˜ 고수(λŒ€ν•œμΆœνŒλ¬Έν™”ν˜‘νšŒ μ„ μ • β€˜ν•œκ΅­μ—μ„œ κ°€μž₯ μ•„λ¦„λ‹€μš΄ 책’>, 이외에도 ν•œκ΅­μ „μŸ λ•Œ λŒμ•„κ°€μ‹  할아버지와, μš°μ—°ν•˜κ²Œ λ‚˜μ—κ²Œ λ°œμƒν•œ 트라우마λ₯Ό 였브제λ₯Ό 톡해 κ°€μ‘±μ˜ 빈 역사λ₯Ό μΆ”λͺ¨ν•˜λŠ” <μ½”μΈμ‹œλ˜μŠ€>, κ΅­λ¦½ν˜„λŒ€λ―Έμˆ κ΄€μ˜ 의뒰둜 보쑴과학과 κ΄€λ ¨λœ 도ꡬλ₯Ό μ‹€μž¬μ™€ μƒμƒμ˜ κ²½κ³„μ—μ„œ μ‚¬λžŒκ³Ό 기계λ₯Ό 톡해 μ‚¬μ§„μœΌλ‘œ μž¬κ΅¬μ„±ν•œ <보쑴도ꡬ>μ‹œλ¦¬μ¦ˆκ°€ μžˆλ‹€.

ν˜„μž¬λŠ” μ§€μ—­μ˜ μ‹ ν™”λ‚˜ ν† ν…Œλ―Έμ¦˜μ— κ΄€ν•΄ λ¦¬μ„œμΉ˜ν•˜λ©°, μ•„ν‚€μ΄λΈŒμ˜ 기둝적 μΈ‘λ©΄ 외에도 μ—¬λŸ¬ 맀체λ₯Ό μ΄μš©ν•˜μ—¬ μ„œμ‚¬λ₯Ό ν™•μž₯ν•˜κ³  μž¬κ΅¬μ„±ν•˜λŠ”λ° 관심이 μžˆλ‹€.

μ£Όμš” μ „μ‹œλ‘œλŠ” ν˜„λŒ€μΉ΄λ“œλ””μžμΈλΌμ΄λΈŒλŸ¬λ¦¬, ν˜Έμ£Όν˜„λŒ€μ‚¬μ§„μ„Όν„°μ˜ κ°œμΈμ „μ„ λΉ„λ‘―ν•΄ κ΅­λ¦½ν˜„λŒ€λ―Έμˆ κ΄€, μ„œμšΈμ‹œλ¦½λ―Έμˆ κ΄€, μ œμ£Όλ„λ¦½λ―Έμˆ κ΄€, κ³ μ€μ‚¬μ§„λ―Έμˆ κ΄€, νœ΄μŠ€ν„΄ FOTOFEST, μ΄λž€ μ˜ˆμˆ μœ„μ›νšŒ λ“± κ΅­λ‚΄μ™Έ λ‹€μˆ˜μ˜ μ „μ‹œμ— μ°Έμ—¬ν–ˆλ‹€. KT&G μƒμƒλ§ˆλ‹Ή β€˜SKOPF μ˜¬ν•΄μ˜ μž‘κ°€β€™μ— μ„ μ •(2018)λ˜μ—ˆμœΌλ©°, 라이카 μΉ΄λ©”λΌμ˜ β€˜κΈ€λ‘œλ²Œ μΊ νŽ˜μ΄λ„ˆβ€™λ‘œ μ„ μ •(2020)λ˜μ–΄ μ—¬λŸ¬ ν”„λ‘œμ νŠΈλ₯Ό 진행 쀑이닀. 사진집 <고수의 도ꡬ>λŠ” ν•œκ΅­μΆœνŒλ¬Έν™”ν˜‘νšŒ β€˜2022λ…„ ν•œκ΅­μ—μ„œ κ°€μž₯ μ•„λ¦„λ‹€μš΄ μ±…β€™μœΌλ‘œ μ„ μ •λ˜μ—ˆλ‹€. μ„œμšΈμ‹œλ¦½λ―Έμˆ κ΄€, KT&G μƒμƒλ§ˆλ‹Ή, μ„œμšΈμ‹œμ²­ λ°•λ¬Όκ΄€κ³Ό, JTBC, ν˜Έμ£Όν˜„λŒ€μ‚¬μ§„μ„Όν„° λ“± λ‹€μˆ˜μ˜ 기관에 μž‘ν’ˆμ΄ μ†Œμž₯λ˜μ–΄ μžˆλ‹€.

ν•™λ ₯
2013 ν™μ΅λŒ€ν•™κ΅ μΌλ°˜λŒ€ν•™μ› 사진학과 μ‘Έμ—…
2009 κ±΄κ΅­λŒ€ν•™κ΅ 신문방솑학과 μ‘Έμ—…


κ°œμΈμ „
2022 맀그놀리아, BMW ν¬ν† μŠ€νŽ˜μ΄μŠ€, λΆ€μ‚° (9μ›” μ˜ˆμ •)
2022 λΆ€μ²˜μ™€ λ§ˆκ³ ν• λ―Έ, μ²­μ£Όλ―Έμˆ μ°½μž‘μŠ€νŠœλ””μ˜€, μ²­μ£Ό
2020 Beside, 라이카 μŠ€ν† μ–΄ μ²­λ‹΄, μ„œμšΈ
2019 Leica x μ •μ •ν˜Έ 'μΏ λ°”', ν˜„λŒ€μΉ΄λ“œ λ””μžμΈλΌμ΄λΈŒλŸ¬λ¦¬, μ„œμšΈ
2019 Archive: Machine, Car and City, λ₯˜κ°€ν—Œ, μ„œμšΈ
2016 Architype 7017, 가러리 μ •λ―Έμ†Œ, μ„œμšΈ
2015 Fragments,Australian Centre for Photography, μ‹œλ“œλ‹ˆ, 호주
2015 η™½μ˜ η™Όθ©±, λ₯˜κ°€ν—Œ, μ„œμšΈ
2014 κ²°, κΈˆλ³΄μ„±μ•„νŠΈμ„Όν„°, μ„œμšΈ
2014 κ²°, μ‚¬μ΄μ•„νŠΈ 슀페이슀, μ„œμšΈ
2013 η™½μ˜ η™Όθ©±, 가러리 평창동, μ„œμšΈ

μ£Όμš”κ·Έλ£Ήμ „
2022 것듀, 흔적 κΈ°μ–΅, μ²­μ£Όμ‹œλ¦½λŒ€μ²­ν˜Έλ―Έμˆ κ΄€, μ²­μ£Ό (10μ›” μ˜ˆμ •)
2022 정착세계, μ„œμšΈμ‹œλ¦½ λΆμ„œμšΈλ―Έμˆ κ΄€, μ„œμšΈ
2022 λ§€μΉ˜λ°•μŠ€, μ•„νŠΈν”ŒλŸ¬κ·Έμ—°μˆ˜, 인천
2022 μœ μ˜ν•˜λŠ” 거주자, μ•„νŠΈν”ŒλŸ¬κ·Έμ—°μˆ˜, 인천
2022 λ„νλ©˜νƒ€15, μ²­μ£Όλ―Έμˆ μ°½μž‘μŠ€νŠœλ””μ˜€, μ²­μ£Ό
2021 κ²½κΈ°μ‹œκ°μ˜ˆμˆ λ°œν‘œμ „ 생생화화 'ν˜„μ‹œμ  μ „κ²½', λ‹¨μ›λ―Έμˆ κ΄€, μ•ˆμ‚°
2021 λ³΄μ‘΄κ³Όν•™μž C의 ν•˜λ£¨, μ œμ£Όλ„λ¦½λ―Έμˆ κ΄€, 제주
2021 KT&G SKOPF μ‹ μ†Œμž₯ν’ˆμ „ 'PIC', KT&G μƒμƒλ§ˆλ‹Ή, μ„œμšΈ
2021 Sound of Ananti, μ•„λ‚œν‹° 이터널 μ €λ‹ˆ, 가평
2021 λ‚―μ„  λ„μ‹œ, λ„μ°©ν•œ μ‚¬λžŒλ“€, μ–΄λ–€ 이야기, μ²­μ£Όλ―Έμˆ μ°½μž‘μŠ€νŠœλ””μ˜€, μ²­μ£Ό
2021 λ―Έμ–€λ§ˆμ˜ λ΄„, μ‚¬λž‘λ†μž₯, λΆ€μ‚°
2020 μ„ κ°λΉ„λ‹ν•˜μš°μŠ€, λŒ€λΆ€μ„ κ°μ–΄μ΄Œκ³„, μ•ˆμ‚°
2020 μž‘κ°€μƒκ°, κ²½κΈ°μ°½μž‘μ„Όν„°, μ•ˆμ‚°
2020 λ³΄μ‘΄κ³Όν•™μž C의 ν•˜λ£¨, κ΅­λ¦½ν˜„λŒ€λ―Έμˆ κ΄€, μ²­μ£Ό
2019 KT&G SKOPF μ˜¬ν•΄μ˜ μž‘κ°€μ „, κ³ μ€μ‚¬μ§„λ―Έμˆ κ΄€, λΆ€μ‚°
2019 νšŒκ·€λ³ΈλŠ₯, κ²½κΈ°μ°½μž‘μ„Όν„°, μ•ˆμ‚°
2019 ν¬ν† λŸ°λ˜, μ†Œλ¨Έμ…‹ν•˜μš°μŠ€, 런던, 영ꡭ
2019 SeMA μ‹ μ†Œμž₯ν’ˆ λ©€ν‹° μ—‘μ„ΈμŠ€ 4913, μ„œμšΈμ‹œλ¦½λ―Έμˆ κ΄€ μ„œμ†Œλ¬Έλ³Έκ΄€, μ„œμšΈ
2018 톡합 λΆˆκ°€λŠ₯ν•œ κ°œλ³„μ  κ°œμ²΄λ“€, κ²½κΈ°μ°½μž‘μ„Όν„°, μ•ˆμ‚°
2018 λ‰΄μ»¬λ ‰μ…˜, λ₯˜κ°€ν—Œ, μ„œμšΈ
2018 μ λ§‰ν•œ κ³ μš”μ™€ 짙은 해무 사이, κ²½κΈ°μ°½μž‘μ„Όν„°, μ•ˆμ‚°
2018 κ³΅μΈλ˜μ§€ μ•Šμ€ λ‹΄λ‘ μžλ“€, κ²½κΈ°μ°½μž‘μ„Όν„°, μ•ˆμ‚°
2017 μž‘μ—…μ˜ λͺ©μ , μ˜ˆμˆ μ§€κ΅¬ P, λΆ€μ‚°
2017 Current, Counihan Gallery, μ‹œλ“œλ‹ˆ, 호주
2017 μ‹œμž‘μ„ 끝내라, μ˜ˆμˆ μ§€κ΅¬ P, λΆ€μ‚°
2017 μ„Έκ³„λ¬Έμžμ‹¬ν¬μ§€μ•„ 'Script and Memory', λŒ€μš°λΉŒλ”©, μ„œμšΈ
2017 λ ˆμ‹œν”Ό, μ˜ˆμˆ μ§€κ΅¬ P, λΆ€μ‚°
2017 μ˜λ‚¨λ¬Έν™”μ˜ 원λ₯˜λ₯Ό μ°Ύμ•„μ„œ '경주남산', 신세계 가러리, λŒ€κ΅¬
2016 ν•˜μ΄λΌμ΄νŠΈ, 가러리 사이, μ„œμšΈ
2016 μ„Έκ³„λ¬Έμž 심포지아 β€˜ν–‰λž‘β€™, 읡선동 μΌλŒ€, μ„œμšΈ
2016 λ‚™μ›μ˜ 고수, 낙원상가, μ„œμšΈ
2016 κΈˆκ°•μžμ—°λ―Έμˆ  λΉ„μ—”λ‚ λ ˆ- λ¬Ό, νƒœν™”κ°• μΌλŒ€, 곡주
2015 Current, Murray Arts Museum of Albury, NSW, 호주
2015 Re:Pre-sentation Seoul Platform, λ¬Έν™”μ—­μ„œμšΈ284, μ„œμšΈ
2015 FotoFest: Mapping Territories, NRG Center, νœ΄μŠ€ν„΄, λ―Έκ΅­
2015 λ£¨λ‚˜ν¬ν† νŽ˜μŠ€ν‹°λ°œ-닻내리닀, λ•μˆ˜κΆ 함녕전, μ„œμšΈ
2015 FotoBook, La Fabrica, λ§ˆλ“œλ¦¬λ“œ, 슀페인
2015 μž₯λ‹˜ 코끼리 λ§Œμ§€λ“―μ΄, μ§€κΈˆμ—¬κΈ°, μ„œμšΈ
2015 FotoFest: International Discoveries V, μ‹€λ²„μŠ€νŠΈλ¦¬νŠΈ μŠ€νŠœλ””μ˜€, νœ΄μŠ€ν„΄, λ―Έκ΅­
2014 Five Sense of Iran,μ΄λž€μ˜ˆμˆ μœ„μ›νšŒ, ν…Œν—€λž€, μ΄λž€
2013 평창 μŠ€νμ…œ μ˜¬λ¦Όν”½ Art Link Project, μΈμ‚¬μ•„νŠΈ μ„Όν„°, μ„œμšΈ/ μ•ŒνŽœμ‹œμ•„μ»¨λ²€μ…˜μ„Όν„°, 평창
2012 In-Sight, ν™μ΅λŒ€ν•™κ΅ ν˜„λŒ€λ―Έμˆ κ΄€, μ„œμšΈ
2012 μ„œμšΈ μΌμƒμ—μ„œμ˜ 좔상, μ–Έ μ˜€ν”Όμ…œ ν”„λ¦¬λ·°κ°€λŸ¬λ¦¬, μ„œμšΈ
2012 λŒ€κ΅¬μ‚¬μ§„λΉ„μ—”λ‚ λ ˆ 'ꡭ제 μ Šμ€μ‚¬μ§„κ°€μ „', λ΄‰μ‚°λ¬Έν™”νšŒκ΄€, λŒ€κ΅¬
2011 Post Photo, κ³΅μ•„νŠΈ 슀페이슀, μ„œμšΈ
2011 ν•‘μ•Όμ˜€ 사진 νŽ˜μŠ€ν‹°λ²Œ, μ‚°μ‹œ, 쀑ꡭ


μˆ˜μƒ 및 기금
2022 μ „μ‹œ ν”„λ‘œμ νŠΈ 지원, 라이카 카메라 코리아
2022 BMW Foto Futures, BMW Photo Space
2022 ν•œκ΅­μ—μ„œ κ°€μž₯ μ•„λ¦„λ‹€μš΄ μ±… μ„ μ • '고수의 도ꡬ', λŒ€ν•œμΆœνŒλ¬Έν™”ν˜‘νšŒ
2021 경기도 μ˜ˆμˆ μ§„ν₯ μ‹œκ°μ˜ˆμˆ λΆ„μ•Ό 기금 수혜, κ²½κΈ°λ¬Έν™”μž¬λ‹¨
2020 μ•„νŠΈμ²΄μΈμ§€μ—… 기금 수혜, κ²½κΈ°λ¬Έν™”μž¬λ‹¨
2020 μ•„λ₯΄μ½” μ²­λ…„μ˜ˆμˆ κ°€ 지원사업 μ‹œκ°μ˜ˆμˆ  λΆ„μ•Ό 기금 수혜, ν•œκ΅­λ¬Έν™”μ˜ˆμˆ μœ„μ›νšŒ
2020 κ΅­λ¦½ν˜„λŒ€λ―Έμˆ κ΄€ μž‘ν’ˆ μ œμž‘μ§€μ›, κ΅­λ¦½ν˜„λŒ€λ―Έμˆ κ΄€
2019 라이카 카메라 κΈ€λ‘œλ²Œ μΊ νΌμ΄λ„ˆ μ„ μ •, 라이카 카메라
2020 곡곡미술 ν”„λ‘œμ νŠΈ μš°λ¦¬λ™λ„€ 미술, λ¬Έν™”μ²΄μœ‘κ΄€κ΄‘λΆ€
2018 μ„œμšΈνŠΉλ³„μ‹œ λ„μ‹œμž¬μƒν™œμ„±ν™”κ³Ό κΈ°νšμ‚¬μ—… 기금수혜, μ„œμšΈνŠΉλ³„μ‹œ
2018 KT&G μƒμƒλ§ˆλ‹Ή ν•œκ΅­μ‚¬μ§„κ°€ μ§€μ›ν”„λ‘œκ·Έλž¨ SKOPF μ˜¬ν•΄μ˜ μž‘κ°€, KT&G μƒμƒλ§ˆλ‹Ή
2016 가러리 μ •λ―Έμ†Œ μ „μ‹œμ§€μ› μž‘κ°€ μ„ μ •, 가러리 μ •λ―Έμ†Œ
2015 FOTOFEST International Discoveries V μ„ μ •, FOTOFEST, USA

μž‘ν’ˆμ§‘
2021 <λ ˆμ €νƒ€μš΄>
2019 <μ•„μΉ΄μ΄λΈŒ: 기계, μžλ™μ°¨ 그리고 λ„μ‹œ>, μ„œμšΈνŠΉλ³„μ‹œ
2019 <고수의 도ꡬ>, μ†Œν™˜μ‚¬
2014 <κ²°>
2013 <λ°±μ˜λ°œν™”>

λ ˆμ§€λ˜μ‹œ
2022 μ•„νŠΈν”ŒλŸ¬κ·Έμ—°μˆ˜, 인천
2021 μ²­μ£Όλ―Έμˆ μ°½μž‘μŠ€νŠœλ””μ˜€, μ²­μ£Ό
2018-2020 κ²½κΈ°μ°½μž‘μ„Όν„°, μ•ˆμ‚°
2017 μ˜ˆμˆ μ§€κ΅¬p, λΆ€μ‚°
2015 Bogong Center for Sound Culture, NSW, 호주
2014 ν•œκ΅­λ¬Έν™”μ˜ˆμˆ μœ„μ›νšŒ μ•„λ₯΄μ½” λ…Έλ§ˆλ”• λ ˆμ§€λ˜μ‹œ ν”„λ‘œκ·Έλž¨, μ΄λž€


λΈŒλžœλ“œν˜‘μ—…
2022 예올20μ£Όλ…„, μ˜ˆμ˜¬λ¬Έν™”μž¬λ‹¨
2021 Sound of Ananti, Ananti
2020 νŠΈλž˜λΈ”λŸ¬ μ•„λ₯΄ν—¨ν‹°λ‚˜, JTBC
2020 Leica SL2 Campaign, Leica Camera
2019 라이카 x μ •μ •ν˜Έ, Hyundai Card Design Library
2018 νŠΈλž˜λΈ”λŸ¬ μΏ λ°”, JTBC

μ†Œμž₯
2022 κ³ μ€μ‚¬μ§„λ―Έμˆ κ΄€
2021 μ„œμšΈμ‹œλ¦½λ―Έμˆ κ΄€
2021 ANANTI
2020 μ„œμšΈμ‹œμ²­ λ°•λ¬Όκ΄€κ³Ό
2020 라이카 카메라 코리아
2020 JTBC
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2018 μ„œμšΈμ‹œλ¦½λ―Έμˆ κ΄€
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2015 λ³΄κ³΅μ‚¬μš΄λ“œμ»¬μ³μ„Όν„°, 호주
2014 μ΄λž€μ˜ˆμˆ μœ„μ›νšŒ, μ΄λž€




Jungho Jung

Through a variety of projects, Jung's works explores how photographs are transformed depending on a specific place or subject. His works are close-ups of changes seen in natural ecology that captures the energy of the invisible phenomena, the traces of migration caused by city development, and his works deal with recontextualisation by replacing private history of families related to the Korean War with the present. He has participated in a number of solo exhibitions held at Hyundai Card Design Library, Centre for Contemporary Photography, Australia and Gallery Jungmiso as well as participating in a number of national and international exhibitions at Photo London, Houston FotoFest, Iran Academy of Arts, La Fabrica, Spain, Goeun Museum of Photography and Seoul Museum of Art.

Education
2013 MFA Hongik University, Graduate School of Photography
2009 BA Kunkuk University, Department of Mass Communication

Solo Exhibition
2022 Magnolia, BMW Photo Space, Busan, Korea (Upcoming) 2022 Budha and Magohalmi, Cheongju Art Studio, Cheongju, Korea
2020 Beside, Leica Store Cheongdam, Seoul
2019 Leica x Jungho Jung , Hyundai Card Design Library, Seoul
2019 Archive: Machine, Car and City, Ryugaheon Gallery, Seoul, Korea
2016 Architype 7017, Artspace Jungmiso, Seoul, Korea
2015 Fragments, Australian Center for Photography, Sydney, Australia
2015 White Utterance, Ryugaheon Gallery, Seoul, Korea
2014 Ice Chaosmos, Kimbosung Art Center, Seoul, Korea
2014 Ice Chaosmos, Cyart Space, Seoul, Korea
2013 White Utterance, Gallery Pyungchangdong, Seoul, Korea

Selected Group Exhibition
2022 Printed World, Seoul Museum of Arts, Korea (upcoming)
2022 Match Box, Art Plug Yeonsu, Incheon, Korea (upcoming)
2022 Floating Resident, Art Plug Yeonsu, Incheon, Korea
2022 Documenta 15, Cheongju Arts Studio, Cheongju, Korea
2021 Sangsanghwahwa 'Manifest Panorama', Danwon Museum of Art, Ansan, Korea
2021 Conservator C's Day, JeJu Museum of Art, JeJu, Korea
2021 KT&G SKOPF New Acquisition 'PIC', KT&G Sangsangmadang, Seoul, Korea
2021 Sound of Ananti, Ananti Eternal Journey, Gapyeong, Korea
2021 Strange City, Arrival People, Some Sotory, Cheongju Arts Studio, Cheongju, Korea
2021 Myanmar Spring, Sarang Farm, Gimhae, Korea
2020 Seongam Vinyl House, Daebu fishing village cooperatives, Ansan, Korea
2020 Conservator C's Day, National Museum of Modern and Contemporary Art, Cheongju, Korea
2019 KT&G SKOPF Artist of the year, Goeun Museum of Photography, Busan, Korea
2019 Homing Instinct, Gyeonggi Creation Center, Ansan, Korea
2019 Photo London, Somerset House, London, UK
2019 Multi Access 4913, Seoul Museum of Art, Seoul, Korea
2018 Nonunifiable Heterogeneous Individuals, Gyeonggi Creation Center, Ansan, Korea
2018 New Collection, Ryugaheon Gallery, Seoul, Korea
2018 In Quiet Silence and Heavy Sea Mist, Gyeonggi Creation Center, Ansan, Korea
2018 Unofficial Discourser, Gyeonggi Creation Center, Ansan, Korea
2017 Purpose of Work, Art Distict P, Busan, Korea
2017 Current, Counihan Gallery, Sydney, Australia
2017 Finish Start, Art Distict P, Busan, Korea
2017 World Script Symposia 'Script and Memory', Dawoo Building, Seoul, Korea
2017 Recipe, Art Distict P, Busan, Korea
2017 Looking for Origin of Youngnam Culture, Shinsegae Gallery, Daegu
2016 Hi Light, Sai Gallery, Seoul, Korea
2016 World Script Symposia 'Hangrang', Seoul, Korea
2016 Master of Nakwon, Nakwon Arcade, Seoul, Korea
2016 Geumgang Nature Art Biennale 'Water', Gongju, Korea
2015 Current, Murray Art Museum Albury, NSW, Australia
2015 Re:Pre-sentation Seoul Platform, Culture station Seoul 284, Seoul
2015 FotoFest: Mapping Territories, NRG Center, Houston, TX, USA
2015 Lunar Photo Fest, Duksugung Palace/ Ryugaheon Gallery, Seoul, Korea
2015 Fotobook, La Fabrica, Madrid, Spain
2015 Like Touching Elephant, Nowhere, Seoul, Korea
2015 FotoFest International Discoveries V, Silver Street Studio, Houston, TX, USA
2014 Assemble The Five Sense of dream, Iranian Academy of Arts, Tehran, Iran
2012 Daily Life Abstract Seoul, Unofficial Preview Gallery, Seoul, Korea
2012 Daegu Photo Biennale 'International Young Photographer', Bongsan Culture Center, Daegu, Korea
2012 In sight, HOMA Museum, Seoul, Korea
2011 Post Photo, Gong Art Space, Seoul, Korea
2011 Pingyao Photo Festival, Sansi, China

Award and Etc
2022 Project Support, Leica Camera Korea
2022 BMW Foto Futures, BMW Photo Space
2022 The Most Beautiful Book in Korea, Korean Publishers Association, Korea
2021 Support fund for the project, Gyeonggi Cultural Foundation, Korea
2020 Art Change Up, Gyeonggi Cultural Foundation, Korea
2020 ARKO Arts Support Program, Arts Council Korea, Korea
2020 Commisioned work, National Museum of Modern and Contemporary Art
2019 Selected Global Campaigner Artist, Leica Camera, Korea
2019 Commisioned work, Seoul Metropolitan Government
2018 SKOPF Korean Photographer's Fellowship_Artist of the year, KT&G Sangsangmadang 2016 Selected Emerging Artist by Gallery Jungmiso, Seoul, Korea
2015 Selected Artist by FOTOFEST International Discoveries V, FOTOFEST, USA

Publication
2019 Archive: Machine, Car and City, Seoul Metropolitan Government

Residency
2022 ArtPlug Yeonsu, Incheon, Korea
2021 Cheongju Art Studio, Cheongju, Korea
2018-2020 Gyeonggi Creation Center, Ansan, Korea
2015 Bogong Centre for Sound Culture, Australia
2014 Arts Council Korea Normadic Residency Program, Iran

Collection
Seoul Museum of Art, Korea
Seoul Metropolitan Government Museum Division, Korea
KT&G Sangsangmadang, Korea
Goeun Museum of Photography, Korea
Leica Camera Korea, Korea
JTBC, Korea
ANANTI, Korea
Australian Centre for Photography, Australia
Bogong Centre for Sound Culture, Australia
Iranian Academy of Arts, Iran

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